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A.B.C
Conspicuous use of black leather and its tubular metal structure clearly tie the concept for the A.B.C. armchair to the design language of the Modern Movement. Yet, the low seat, that allows the upholstered pieces to fit perfectly within the tubular metal structure, is utterly contemporary. The metal structure is available in an array of finishings. The A.B.C. armchair can be paired with its namesake ottoman-footstool and is equipped with a state-of-the-art mechanism for reclining the seat back. The completely removable upholstery can be crafted in all the fabrics and leathers from the exclusive Flexform collection. A version of the A.B.C. armchair with armrests upholstered in cowhide is also available.
| Structure Metal with satin, chrome, black chrome, burnished, glossy anthracite, matt titanium 710 finish. Rests on pads made of thermoplastic material. |
Dimensions 65 (length) x 90/109 (depth), H70/82(backrest) H34 cm (seat height) |
| Upholstery Fabric and leather options |
Production Year 1996 |
| Features Removeable upholstery, reclining, choice of leather or metal armrest |
Designer Atonio Citterio |
A.B.C.D
The A.B.C.D. armchair is a re-edition of the iconic A.B.C. armchair, introduced in 1996. Some substantial changes were made to the new version, launched in 2014 – like the re-design of the base and elimination of the armrest – to give it a softer look. The metal structure of the armchair comes in an array of finishings. The A.B.C.D. armchair can be paired with its namesake ottoman-footstool and is equipped with a state-of-the-art mechanism for reclining the seat back. An elegant accessory is also available – a convenient headrest with soft goose-down padding and metal counterweight. The A.B.C.D. armchair was awarded honourable mention by the international jury of the 24th ADI [Industrial Design Assn.] Compasso d’oro Award.
| Structure Metal with satin, chrome, black chrome, burnished, glossy anthracite, matt titanium 710 finish. Rests on pads made of thermoplastic material |
Dimensions 61 (length) x 90/109 (depth), H70/82(backrest) H34 cm (seat height) |
| Upholstery Fabric and leather options |
Production Year 2014 |
| Features Removeable upholstery, reclining, choice of leather or metal armrest |
Designer Atonio Citterio |
ADDA
The Adda armchair possesses the same straightforward, contemporary aesthetic as the seating system of the same name. Generous cushions with goose-down padding and piping that underscores their soft, welcoming shape offer delightful visual contrast to the light metal structure. The cushions are creased with a unique lengthwise stitching detail that produces a slight wrinkle in the surface of the upholstery – which can be crafted in fabric or leather. In addition to following the natural fold created upon sitting, the stitching lends Adda a distinctive look. The armchair rests on a metal base covered in leather or fabric, while the exposed cast-aluminum feet reveal their graceful, yet absolutely contemporary vibe.
| Structure Metal with soft topper in polyurethane foam covered with a protective laminated fabric |
Dimensions 110 (length) x 90 (depth), H71(backrest) H40 cm (seat height) |
| Upholstery & Piping Fabric and leather options |
Production Year 2017 |
| Features Removeable upholstery |
Designer Antonio Citterio |
ALISON
The Alison armchair draws upon Scandinavian design tradition, reinterpreting it through a completely contemporary lens. The sinuously curved structure is made of solid wood and the seat is generously padded. The saddle hide seat back provides optimal support. The combinations of materials and colors can be as endless as they are unique by marrying the structure in solid wood, stained in many shades, with the seat back in saddle hide, available in an array of colors, and the padded seat that can be upholstered in any of the exclusive fabrics and leathers from the Flexform collection. Thanks to its scaled-down proportions and timeless charm, the Alison armchair is supremely at home in any setting.
| Structure Solid canaletto walnut with raw-wood effect, natural or stained walnut extra finish; or in solid ash with natural finish or stained walnut, teak, wenge, ebony or brown; or in solid oak with raw-wood effect finish. |
Dimensions 75 (length) x 81 (depth), H73(backrest) H40 cm (seat height) |
| Upholstery & Piping Fabric and leather options |
Production Year 2018 |
| Features Removeable upholstery |
Designer Antonio Citterio |
BOSS
Handsome and well-structured, Boss convincingly fits the bill as an executive chair when placed in an office, and as a welcoming haven inside the home. Excellent back support is provided by the metal and polyurethane foam shell covered in a laminated fabric. With their generous goose-down padding, the seat and seat back cushions deliver the utmost in comfort. The Boss armchair comes in versions with feet or with a five-spoke swivel base, both in metal in an array of different finishings. The Boss armchair coordinates perfectly with its namesake ottoman-footstool.
| Structure Metal with moulded polyurethane padding, covered with a protective laminated fabric |
Dimensions 74 (length) x 90/94 (depth), H86 (backrest) H38 cm (seat height) |
| Upholstery Fabric and leather options |
Production Year 2008 |
| Features Swivel and non-swivel base options in cast aluminium with satin, chrome, black chrome, burnished, matt titanium 710 or glossy anthracite finish. Rests on pads made of thermoplastic material. Removable in fabric or leather options |
Designer Design Center |
CARLOTTA
An object of undisputed functionality, the folding chair can boast a thousand years of history. Originally used as a field chair, with the expansion of the film industry it gained iconic status as a director’s chair, thanks to its ease of transport between sets.
Its legendary qualities – comfortable, lightweight and easy to carry – inspired Antonio Citterio and Flexform to give it a new interpretation as the Luchino armchair.
Made of solid hand-turned and finished wood, with the seat and backrest in cowhide, the Luchino armchair – available in both dining and lounge versions – features refined joints that enable easy folding and transport.
Deceptively simple at first glance, the Luchino armchair reveals exquisite wood craftsmanship and meticulous attention to detail in the small metal components that regulate its folding mechanism.
A perfect blend of elegance and practicality, the Luchino dining chair is at home with any of the tables in the collection, while the lounge chair fits seamlessly in any living space, by itself or paired with Flexform sofas.
| Structure The archetypical folding chair, Carlotta was reinterpreted in a contemporary vein with a light hand and a pitch-perfect marriage of sophisticated materials, like metal and cowhide. The joint screws, clearly visible on the metal structure, emphasize the austere, unornamented design that sets this armchair apart. It comes in an array of finshings. The seat, seat back and arm rests are upholstered in cowhide, in all the colors available in the Flexform collection palette. The Carlotta small armchair can be paired with its namesake folding footstool. |
Dimensions 59 (length) x 61 (depth), H76 (backrest) H41 cm (seat height) |
| Seat & Backrest Cowhide in the following colors: russian red 5008, olive 5006, black 5005, dark brown 5004, dark brown extra 5013, grey 5003, sand |
Production Year 1996 |
| Features Foldable Seat |
Designer Antonio Citterio |
CRONO
Graceful proportions and a sophisticated design place the Crono armchair in a class of its own. The visually-light but solid wood structure, available in various shades, isplays the kind of workmanship that clearly expresses the company’s flair for embracing the heritage of Italian cabinetmaking tradition as its own. As unique as it is sophisticated, the seat back is entirely hand-woven in a design made from cowhide cord; the seat back is rendered even more comfortable with the addition of a soft, goose-down-filled cushion. The seat is made of polyurethane foam, covered in a laminated fabric and the upholstery – in fabric or leather – is removable.
| Structure Solid Canaletto walnut with raw-wood effect, natural, or stained walnut extra finish; or in solid ash with natural finish or stained walnut, stained teak, stained wenge, stained brown or stained ebony; or in solid oak with raw-wood effect finish. |
Dimensions 69 (length) x 68 (depth), H67(backrest) H40 cm (seat height) |
| Upholstery Fabric and leather options |
Production Year 2018 |
| Features Removeable upholstery, Woven hide leather cord black, tobacco, natural, dark brown, grey, olive and russian red |
Designer Antonio Citterio |
Daiki Studio
The compact and well-proportioned silhouette of both the seats and the small sofa, opens up to a new way of using the dining space: as a living room within the living room, a hybrid situation.
Additional Information
| Material Aluminium. |
Dimensions 100 x 100 cm |
| Finish Ma black or natural polished. |
Production Year 2024 |
| Light rods 36 of different lengths (15, 30 and 45 cm). |
Designer Charles and Ray Eames |
DORALICE
The Doralice armchair displays discreet proportions and retro lines, reinterpreted with a contemporary flair. The wood and metal structure is padded with polyurethane foam that is then covered with a protective laminated fabric. The Doralice armchair is upholstered with a soft, lightweight slipcover, which can be easily removed and replaced.
| Structure Solid wood and metal with polyurethane foam padding, covered with a protective laminated fabric |
Dimensions 75 (length) x 73 (depth), H80 (backrest) H40 cm (seat height) |
| Upholstery & Piping Fabric and leather options |
Production Year 1980 |
| Features Removeable upholstery |
Designer Antonio Citterio, Paolo Nava |
DRAGONFLY
The Dragonfly collection comprises armchairs, sofas and daybeds crafted to furnish both residential and hospitality spaces – like lobbies, lounges, waiting rooms and suites – with charm and elegance. Featuring pared-down proportions and a high seat back, the Dragonfly armchair offers excellent back support. It sits on an elegant solid wood base that can be stained in a range of sophisticated shades. The slender scale and graceful lines that set the Dragonfly armchair apart are emphasized by refined grosgrain piping that lends a finely-finished touch to the upholstery and speaks to the time-tested artisan skill that goes into its making.
| Structure Solid wood with polyurethane foam padding, covered with a protective laminated fabric. Rests on tips made of thermoplastic material |
Dimensions 73 (length) x 76 (depth), H73 (backrest) H40 cm (seat height) |
| Upholstery & Piping Fabric and leather options. Piping with fabric covers the piping comes in gross grain, available in all the colours on the sample board. With leather covers the piping comes always in the same leather |
Production Year 2017 |
| Features Non-removeable upholstery in both the fabric and leather versions |
Designer Roberto Lazzeroni |
DROP
The Drop armchair is distinguished by graceful lines and restrained proportions, suited to furnishing homes and hospitality spaces with style and elegance. The enveloping seat back is generously padded, offering especially comfortable support. The armchair sits on an elegant solid wood base that can be stained in a range of shades. It can be upholstered in leather or fabric and that, along with the variety of finishes available for the base, makes Drop a very versatile armchair.
| Structure Base in solid ash with natural finish or stained wenge, ebony, brown. Rests on tips made of thermoplastic material. Backrest in metal with polyurethane foam padding, covered with a protective laminated fabric |
Dimensions 75 (length) x 74 (depth), H70 (backrest) H37 cm (seat height) |
| Upholstery & Piping Fabric and leather options. Piping with fabric covers the piping comes in gross grain, available in all the colours on the sample board. With leather covers the piping comes always in the same leather |
Production Year 2009 |
| Features Non-removeable upholstery in both the fabric and leather versions |
Designer Roberto Lazzeroni |
ECHOES | ECHOES S.H.
The design project for the Echoes family of seating grew out of a mature awareness nourished by different ideas and inspirations. The traditional Scandinavian school meets Mediterranean style; rustic and urban styles cross paths. The design of memory is, in any case, living in the present and projected into the future.
The sleek metal structure contrasts with the pliable seat and backrest made of fine woven paper cord or paper rush cord. This seemingly simple process is actually quite complex and still today performed entirely by hand.
A different stylistic interpretation is expressed by the Echoes S.H. armchair that pairs the metal structure with cowhide: a classic, eye-catching combination but one that, thanks to the ergonomic contours of the seat and backrest, also ensures the utmost in comfort.
| Structure Metal with burnished or glossy anthracite , matt titanium 710 finish, in white 100 or with matte lacquered finish in sand 610, green 630, brick 620 or white 160 |
Dimensions 64 (length) x 61 (depth), H76 (backrest) H40 cm (seat height) |
| Feet Rest on tips made of thermoplastic material |
Production Year 2021 |
| Features Woven paper rush cord |
Designer Christophe Pillet |
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