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1 Fauteuil dossier basculant
A chair with timeless design that draws upon colonial styles for inspiration. Light weight and compact, the timeless shape of Fauteuil dossier basculant was introduced in 1929 at the Salon d’Automne along with other iconic pieces like Fauteuils Grand Confort, petit modèle and grand modèle, la Table tube d’avion and Chaise longue à reglage continu.
| Structure Tubular steel, polished chrome, or painted finish in selected colours. |
Dimensions 60x65cm H. 64cm (back) H.40cm (seat) |
| Cover Self-supporting fabric with natural leather trim. Hair-on leather. Self supporting saddle-hide. |
Production Year 1965 |
| Designer Le Corbusier, Pierre Jeanneret, Charlotte Perriand |
7 Fauteuil tournant, durable
An icon with an aptitude for versatility and functionality, designed in 1927 by Charlotte Perriand for her Paris atelier in Place Saint-Sulpice.
The design was first exhibited at the Salon des Artistes Décorateurs in 1928 and then at the Salon d’Automne in 1929, and is now part of the Le Corbusier®, Pierre Jeanneret®, Charlotte Perriand® Collection. Cassina introduced this icon for the first time in 1978 and, in 2023, reissued it with an eco-minded spirit. The padding in the armchair was developed using circular materials: recycled PET wadding and, for the foam parts, polyurethane with a percentage of polyols derived from biological sources. The structure, in trivalent chrome-plated steel, is available with polished or painted finish while the upholstery is in
leather or fabric.
Additional Information
| Structure Frame in tubular steel. Polished chrome, or painted finish in selected colours |
Dimensions 60x58cm H.73cm (back) H.50cm (seat) |
| Cover Fabric or Leather |
Production Year 2023 |
| Designer Charlotte Perriand |
8 Tabouret tournant, durable
The Tabouret tournant stool is a version of the swivel armchair designed in 1927 by Charlotte Perriand for her atelier and was also part of the group of furnishings exhibited at the Salon d’Automne in 1929. As part of the Le Corbusier®, Pierre Jeanneret®, Charlotte Perriand® Collection, its iconic shape and versatility reflect the desire to simplify mass production by employing common elements. Cassina introduced it for the first time in 1978 and re-issued it, with an eye to circularity, in 2023. The padding was developed using circular materials: recycled PET wadding and, for the foam parts, polyurethane with a percentage of polyols derived from biological sources. The structure, in trivalent chrome-plated steel, is available with polished or painted finish while the upholstery is in leather or fabric
Additional Information
| Structure Frame in tubular steel, polished chrome, or painted finish in selected colours |
Dimensions 47x47cm H.50cm |
| Cover Fabric or Leather |
Production Year 2023 |
| Designer Charlotte Perriand |
Doron Hotel
The Doron Hotel armchair was designed in 1947 by Charlotte Perriand, a real mountain lover, for the winter sports resort of Méribel Les Allues and for Hôtel Doron, one of the first chalet-hotels, in the same location. The French designer always had a special and profound relationship with nature; in fact, she was one of the first to explore the relationship between man and his surrounding environment, seeking natural materials to use in her projects. Comfortable, textural and pleasant to the touch, the Doron Hotel armchair comes in the outdoor version as well. It can be paired with Charlotte Perriand’s Table à Plateau Interchangeable.
Additional Information
| Structure Solid ashwood or american walnut wood |
Dimensions 60x66cm H.73cm (back) H.39cm (seat) |
| Cover Fabric, leather, or saddle Leather |
Production Year 2020 |
| Designer Charlotte Perriand |
Eve
Produced by Cassina in both a metal and wood frame, with the same shape changing its personality, depending on which frame material used, the back and the seat always being leather. The simple geometry of the structure is warmer and closer to nature in the walnut or ashwood, and is thus ideal for the home environment. The chair’s lines become more slender and impactful in the cast aluminium option: here the ideal setting is the office or corporate space. The innovative approach used to assemble the leather sections reveals a clever configuration of cuts and folds that highlight the company’s crafts capabilities. The upholstery is an “envelope” into which slips the frame, no stitching in sight. Meticulous attention has been paid to the chair’s functional aspects, primarily through the use of a thermoformed plastic shell coupled with a thin layer of polyurethane. Meantime, the rounded seat enhances the feeling that Eve is a comfortable chair. It is now available also with the new Plus saddle leather and with a hand-shaded effect on natural basis
Additional Information
| Structure In solid ashwood or walnut or in cast aluminium. |
Dimensions Alluminum feet: 56x42cm H.76cm (back) H.46cm (seat) – Wood feet: 57x44cm H.76cm (back) H.46cm (seat) |
| Cover Leather from Cassina collection |
Production Year 2009 |
| Designer Piero Lissoni |
Flutz
Inspiration: the precise, elegant movements of figure skating. Form, an oxymoron of materials and thicknesses. Flutz is the perfect union between a rigid, geometric structure and a soft, inviting seat. The second project by Michael Anastassiades for Cassina, Flutz is a chair in two versions, with or without armrests. The armrests are composed of two thin parallel aluminium sheets joined by crosspieces, resting upon them is an invisible plate engineered to stabilize the base and support the seat which, thus, appears to be suspended. The chair without armrests, instead, is available in two versions, one with a low backrest and the other with a high backrest. Upholstered in leather or fabric, the chair ensures sturdy yet comfortable support, thanks to the shell wrapped in soft padding encased in a slipcover made of recycled PET wadding. Through the work carried out by Cassina LAB, with an eye to circularity, the various parts of the chair were designed to be disassembled and recycled at the end of its life cycle. This includes the padding (that can be separated from the slipcover thanks to an internal zipper) and the metal structure with matte finish. Comfortable and elegant, Flutz pairs perfectly with the Ordinal table, also by the Cyprian designer, rounding out his range of dining products.
Additional Information
| Structure Side pieces, handles and horizontal crosspieces in painted aluminium, mat or lacquered. |
Dimensions Long back (without armrest): 48x56cm H.95cm (back) H.45cm (seat) – Shorter back (without armrest): 48x53cm H.78cm (back) H.45cm (seat) – Shorter back (with armrest): 48x53cm H.78cm (back) H.44cm (seat) |
| Cover Fabric or Leather |
Production Year 2024 |
| Designer Michael Anastassiades |
Tulu
A symbol of avant-garde construction ideas and experimentation, Tulu is a stackable sled-base chair designed in 1968 by Kazuhide Takahama on commission from Dino Gavina’s Simon company, which was acquired by Cassina in 2013, and is now known as Simon International. The Tulu chair offers an early example where, rather than bending a metal tube to make the frame, a thin rod was electric induction-welded before being given a chrome finish. This innovation made tighter curves possible, while leading to the use of multiple welding heads, enabling a piece to be made in one single process. When Simon International became part of the Cassina universe, the Tulu’s manufacturing process was revisited, and streamlined further. The seat and back have now been reinforced by the addition of elastic straps, while the padded cover was given a zip fastening, so it can be removed for cleaning. This chair has now been completely redeveloped and further improved by reinforcing the seat with a thermoformed seat and backrest with elastic straps, as well as inserting a wadding cover and zip that allows the upholstery to be removed.
Additional Information
| Structure Bent frame in metal rod. Chrome-plated or lacquered (different colours available). |
Dimensions 51x53cm H.77cm (back) H.48cm (seat) |
| Finish Upholstered – Quilted fabric or quilted leather or saddle leather |
Production Year 2013 |
| Designer Kazuhide Takahama |
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